Biography

G

iorgos Kanaris was born in Athens and studied singing in Athens and Munich, where he was trained by Josef Metternich, Daphne Evangelatos and more at the University of Music and Performing Arts Munich.

Since 2009, he has been a member of the Bonn Opera ensemble, where he has distinguished himself with a wide-ranging repertoire including roles such as Belcore (L’elisir d’amore), Don Giovanni (Don Giovanni), Count Almaviva (Le nozze di Figaro), Guglielmo (Così fan tutte), Marcello (La Bohème), Papageno (The Magic Flute), Peter the Broom Maker (Hansel and Gretel), Mandryka (Arabella), and Sharpless (Madama Butterfly). He has received great acclaim for his interpretations of major Verdi roles such as Rigoletto, Renato (Un ballo in maschera), Giorgio Germont (La Traviata), Rodrigo di Posa (Don Carlo) and Don Carlo di Vargas (La Forza del destino).

Further highlights of his career include roles such as Baron Scarpia in Puccini’s Tosca (2023) and Onegin in Tchaikovsky’s Eugene Onegin (2024) at Theatre Bonn. In their 2025/2026 season, he will make his debut as Barak in Strauss’s Die Frau ohne Schatten and in the world premiere of Awakening, directed by Vasily Barkhatov, as the Messenger of Sickness / A Priest in Fiery Robe at Theater Bonn. He will also be debuting the role of Lescaut in Puccini‘s Manon Lescaut at Theater Heidelberg.

Giorgos Kanaris has worked with renowned conductors such as Will Humburg, Dirk Kaftan, Nicholas Carter, Jacques Lacombe, Mino Marani, Hermes Helfricht and Stephan Zilias, as well as directors including Stephen Langridge, Jens-Daniel Herzog, Dietrich Hilsdorf, Philipp Himmelmann, Josef Ernst Köpplinger, Marco Arturo Marelli, Peter Konwitschny, Sir David Pountney, Silviu Purcărete, Roland Schwab, Friederike Blum and Aron Stiehl. Guest engagements have taken him to the Greek National Opera in Athens, the Margravial Opera House Bayreuth, Bühnen Bern, Theater Bremen, the Opera Houses in Dortmund, Essen, and Gelsenkirchen, Cairo Opera House, Stadttheater Klagenfurt, Theater Luzern, and Staatstheater Nürnberg.

He is also in great demand as a concert singer and has an extensive concert and oratorio repertoire ranging from Schumann, Debussy, Duparc, Ibert, Beethoven, Schubert, Pfitzner, and Ravel to Strauss and Carl Orff. In 2017, his recording Songs of Yearning – Sehnsuchtslieder, featuring songs by Schubert and Beethoven, was released on Hänssler Classic. This was followed in 2020 by another Hänssler Classic recording, Invitation au Voyage, featuring Don Quixote and French songs accompanied by Thomas Wise.

Internationally recognized, he received a special award in the Oratorio/Song category at the International Maria Callas Grand Prix in 2005 and was subsequently engaged for various concerts with Helmuth Rilling. He was a prize winner at the Schloss Laubach Competition in 2009. In 2010, he received the Prize of the Friends of the Bonn Opera, and in 2011 he was a scholarship holder of the Richard Wagner Association Bonn.

Repertoire Opera

Beethoven, Ludwig van
Fidelio – Don Fernando

Bizet, Georges
Carmen – Escamillo

Cavalli, Francesco
La Calisto – Mercurio

Cimarosa, Domenico
Il matrimonio segreto - Conte Robinson

Delibes, Léo
Lakmé – Frédéric

Donizetti, Gaetano
L’elisir d’amore – Belcore
Lucia di Lammermoor - Enrico
Don Pasquale - Malatesta

Giordano, Umberto
Siberia - Gléby

Händel, Georg Friedrich
Rinaldo - Argante
Ezio - Massimo
Giulio Cesare - Achilla

Humperdinck, Engelbert
Hänsel und Gretel – Peter Besenbinder

Leoncavallo, Ruggiero
Pagliacci -Silvio

Lortzing, Albert
Der Wildschütz - Graf von Eberbach

Mozart, Wolfgang Amadeus
Così fan tutte – Guglielmo
Don Giovanni – Don Giovanni; Masetto
Die Zauberflöte – Papageno
La finta giardiniera - Nardo
Le Nozze di Figaro - Graf Almaviva

Nicolai, Otto
Die lustigen Weiber von Windsor - Herr Fluth

Puccini, Giacomo
La Bohème – Marcello; Schaunard
Madama Butterfly – Sharpless
Manon Lescaut - Lescaut
Tosca - Baron Scarpia
Turandot - Ping

Ravel, Maurice
L´heure espagnole - Ramiro

Rossini, Gioachino
Il barbiere di Siviglia – Figaro
L´italiana in Algeri - Taddeo

Schreker, Franz
Der ferne Klang - Ein Schmierenschauspieler

Strauss, Richard
Die Frau ohne Schatten - Barak
Arabella - Mandryka
Der Rosenkavalier - Herr von Faninal

Tschaikowski, Pyotr Ilyich
Eugen Onegin– Onegin

Verdi, Giuseppe
La traviata – Giorgio Germont
Rigoletto - Rigoletto
Un ballo in maschera - Renato
Don Carlos - Rodrigo
La forza del destino - Don Carlo di Vargas
Jérusalem - Le Comte de Toulouse

Wagner, Richard
Tristan und Isolde – Melot

Weill, Kurt
Aufstieg und Fall der Stadt Mahagonny – Dreieinigkeitsmoses

Reviews

Traviata – G. Verdi
“A real public’s favourite is also the greek bariton Giorgos Kanaris in the role of Father Giorgio Germont, who sets domineering bold accents and cares with powerful voice for dynamic.”
Ansgar Skoda

Kultura-extra.de 02/04/2018

“Though the strongest applause went to Giorgos Kanaris, inhabitant of Bonn, whose Giorgio Germont was at his best performance.”
Guido Krawinkel

General-Anzeiger 10/04/2018

Le Nozze di Figaro – Mozart
“GIORGOS KANARIS gives his Count powerful baritone outlines”

“The experienced warrior Georgios Kanaris acts and sings the Count sonorously and respectable”

“…the charm of Giorgos Kanaris, who presents a physical as well as vocally expressed and energetic Count”

“Giorgos Kanaris can definitely add in his noble and elegant voice accents of aggressive power of seduction”

“Giorgos Kanaris is a Count Almaviva, who always sets the tone with a pleasant baritone voice”

“Giorgos Kanaris as Almaviva radiates much virile grandeur”

Don Giovanni – Mozart
Giorgos Kanaris is in the title role as a singer and actor a convincing seducer and a charismatic nobleman…the opera house has a Don Giovanni, who hardly lets any desires unfulfilled, that he knows how to articulate the brutal and melancholic guy.
Ralf Siepmann

Opernnetz 13/12/2016

Giorgos Kanaris is a brazen radiant, constantly boastful, always magnificent and powerful Don Giovanni.
Stefan Schmöe

Online Musik Magazin 12/12/2016

Lucia di Lammermoor – Donizetti
The Greek baritone Giorgos Kanaris is to the Bonn music friends apparently very admired, his continuous repertoire expansion, whatever versatility it demonstrates, is actually exemplary. For the shady Enrico his voice appears to sound a little bit too chivalric, even if his interpretation captures the character very good.
Christoph Zimmermann

Theaterpur.net 30/10/2016

Giorgos Kanaris was with highly strong, rather slender baritone an intensive, considerably charismatic growing Enrico.
Thomas Tillmann

Online Musik Magazin 01/11/2016

La Bohéme – G. Puccini
The greek baritone was able to develop himself continuously at the Opera of Bonn, his voice has been appropriate expanded. His Marcello thrills with masculine cantability.
Christoph Zimmermann

Der Neue Merker 27/09/2016

Madama Butterfly – G. Puccini
The magnificent baritone Giorgos Kanaris goes ahead more nuanced in the role-making and shows as Sharpless amazing empathy.
Bernhard Hartmann

Bonner Rundschau 19/04/2016

Giorgos Kanaris in the role of the US-consul Sharpless wins over the audience with accurate leading, flexible and full of nuances baritone voice.
Ralf Siepmann

Opernnetz 29/04/2016

Giorgos Kanaris portrays Sharpless convincing and noble with his sonorous cavalier baritone.
Christoph Zimmermann

Der Opernfreund 18/04/2016

The baritone Giorgos Kanaris convinced with his singing and has been celebrated from the audience.
EXPRESS

Bonn 21/04/2016

Giorgos Kanaris is a vocal assertive, stiff consul on stage, which belongs here to the diplomatic habit.
Stefan Schmöe

Online Musik Magazin 17/04/2016

Cosi fan tutte – W.A.Mozart
Giorgos Kanaris sings the somewhat rough-and-ready Guglielmo with clearly defined baritone color, which underlines powerfully his representation.
Bernhard Hartmann

General Anzeiger-Bonner Rundschau, Bonn 08/12/15

Giorgos Kanaris represents Guglielmo with grandiose and powerful bariton color
Christoph Zimmermann

Theaterpur.net, Bonn 08/12/15

Kanaris with high affinity in the cantilenas of his part and his entrances.
Ralph Siepmann

Opernnetz.de, Bonn 08/12/15

Rinaldo – G. F. Haendel
Giorgos Kanaris’ Argante was an event, because his tremendous playing mood and his wonderfulbariton voice created a perfect roll profile.
Bernhard Hartmann

General Anzeiger-Bonner Rundschau, Bonn 02/12/14

Giorgos Kanaris as a baritonal weather-proof and highly playful Argante.
Christoph Zimmermann

Theaterpur.net, Bonn 02/12/14

Especially thrilled Giorgos Kanaris as Argante. With perfect baritone voice provides the King of Jerusalem and offers a beautiful balance to the high voices of the evening.
Thomas Molke

Online Musik Magazin, Bonn 02/12/14

Giorgos Kanaris with his hearty theatrical playing as Argante had the laughs on his side. His powerful bright baritone voice was astonishingly agile in the coloraturas.
Manfred Langer

Der Opernfreund, Bonn 02/12/14

Giorgos Kanaris was as Argante a powerful-voiced, well sounded bass with soft transitions between the registers.
Zenner

Operapoint 02/12/14

Fidelio – L.v. Beethoven
“The minister was given his noble majesty through Giorgos Kanaris.”
Bernhard Hartmann

General Anzeiger-Bonner Rundschau, Bonn 30/09/14

Die Zauberflöte – W. A. Mozart
Giorgos Kanaris as a lovely comical Papageno, who is quick-thinking sufficient in the end of the opera to put a hooking curtain down with his own hands.
Bernhard Hartmann

General Anzeiger, Bonn 15/12/14

Also Giorgos Kanaris, an ingenuously naive Papageno to love, with his warm and flexible baritone voice.
Gunild Lohmann

General Anzeiger, Bonn 15/04/14

Schwanengesang – Schubert
With Giorgos Kanaris is “Schwanengesang” in the best of hands. That the Bonn’s opera baritone can also sing Lied, has already been proved several times, and also on this evening his expressive interpretations were evident. Kanaris forms the moods of longing and unreturned love, wanderlust and homesickness, pain and happiness with noble restraint; no outbreak goes at the expense of beautiful sound, which his voice also in the high registers through his sonorous bass-range produces. However, the baritone remains in dramatic songs like “Atlas” or “Doppelgänger” vocally impressive: when he opens up, is his singing also physically imposing.
Gunild Lohmann

General Anzeiger, Bonn 18/02/14

Barbier von Sevilla – Rossini
Giorgos Kanaris is a throughout stable Figaro, with slender, flexible and assertive voice, sovereign in every passage.
Stefan Schmöe

Online Musik Magazin, Bonn 21/01/13

Winterreise – Schubert
Giorgos Kanaris, who, among other things, was awarded the prize of the “Opera Friends Bonn”, has attracted in the productions of the opera House much attention, particularly with his very elegant voice. Now, as a Lieder recitalist, he is no less convincing: his bright baritone, which he controls in the high register without tension, can be heard from the very first bar. In the low register he has a beautiful warmth. Giorgos Kanaris comes across the gloom of “Winterreise” very carefully, with a calm narrative tone and an elaborate art of legato. He abstains from mannerism and sentimentality. His interpretation is sensitive, but not sentimental. From other singers people are used to hearing sharper accentuations – Kanaris remains faithful in his concept of sonority. And this takes him over 24 gently shaped Lieder, in which the “Wirtshaus” (taken with the same prayerful quiet) makes perhaps the greatest impression.
Ulrich Bumann

General-Anzeiger, Bonn 08/02/12

La Finta Giardiniera– Mozart
Giorgos Kanaris gives a theatrical, clearly contoured and beautifuly sounding servant Nardo.
Stefan Schmöe

Online Musik Magazin, Bonn 07/11/11

Giorgos Kanaris makes points with his wonderful baritone as her love-lost Nardo.
Bernhard Hartmann

General-Anzeiger, Bonn 08/02/11

Der Ferne Klang – Schrecker
Giorgos Kanaris as vocally powerful and present “Schauspieler” in an excellent casting.
Stefan Schmöe

Online Musik Magazin, Bonn 10/12/11

Dichterliebe – Schumann
Kanaris reached, with his slender and cleanly- guided baritone in the “Dichterliebe”, a continuously deepening representation of Heine’s poetry.

General-Anzeiger, Bonn 11/05/10